June 2006Issue 390



Afroreggae Special: Culture Is Our Weapon & Favela Rising

Rio is a city at war. Novelist Patrick Neate and Amnesty International researcher Damian Platt cite UN statistics – nearly 50,000 people were shot dead between 1980 and 2000, which is four times as many as have died in 50 years of conflict between Israelis and Palestinians. The war, between the drugs factions who control different favelas, kills most of those involved before they are 25, and many others who aren’t involved at all.

A third of Rio’s population, some two million people, most of whom are black, live in the favelas. Although they are permanent settlements, many on the rocky outcrops throughout the city, they are illegal. Most pirate electricity from the national grid, schooling is poor or non-existent, and, in the absence of the state, the drug gangs reign supreme. Residents even have to avoid areas controlled by other factions or risk being shot.

Afroreggae emerged to offer an alternative. It’s best known as a hip-hop band, but it’s more than that. It started when people running a free newspaper, AfroReggae Noticias, focused on the Afro-Brazilian contribution to Brazilian culture, set up workshops in percussion and dance. It’s now an NGO running youth centres and literacy/technology training centres, and it’s an important intermediary between the factions – as well as between them, the police and favela residents.

Afroreggae has had a huge impact, not least on how people in the favelas see themselves, and how people outside see them. Neate and Platt’s portrait is vivid and highly readable, but it would have helped if they’d included basic information on its work as an NGO. For example, how many centres does it have, working with how many people? There’s a question for the future too. How does an organization, set up and run by a few charismatic people from the favelas, cope with success, even attracting funding from the Ford Foundation?

Favela Rising is a documentary film about the rise of Afroreggae and one of its charismatic founders, Anderson Sa, a one-time drugs soldier, now band vocalist, and – for a big man – wonderfully dynamic dancer. It’s not as focused as Culture is Our Weapon and, after Anderson breaks his neck in an accident, becomes adulatory. But it’s a stylish film, with a real feel for the city and its people. At only 80 minutes, we could have had more both of the main band and of their rousing drum workshops with kids banging all manner of cans and containers.

Culture is Our Weapon: Afroreggae in the Favelas of Rio

Product information
by Patrick Neate and Damian Platt
Publisher
Latin American Bureau
Product number
ISBN 1 899365 69 9
Star rating
****

Favela Rising

Product information
directed by Jeff Zimbalist
Star rating
***

Malcolm Lewis




also by...
THIS AUTHOR

Fast Food Nation
Customers, workers and animals suffer.

Bamako

Ghosts

Apocalypto

Language Tools
Powered by Ultralingua

Join over 10,000 people just like you. Get e-mail updates about new content, issue alerts, contests, and more!

other articles
FROM THIS ISSUE

‘I see a human being’
Mauritius goes to bizarre lengths to classify people by ethnicity or religion, as Lindsey Collen explains.

Maldives
The distinctive topography of the Maldives – an archipelago of more than 1,200 small islands – allows for a strict demarcation of function. One for the capital, another for rubbish, 80 or so for tourist resorts, and one for torturing political prisoners.

Amazonian psychics, Muppets and the Antichrist

Inside the Venezuelan Revolution
David Ransom discovers a democratic change in the making.

Meles Zenawi
When Ethiopia’s Dergue dictatorship was swept away, former guerrilla leader Meles Zenawi seemed to embody new hope for Africa’s second most populous country. Where did it all go wrong?

recently
IN THIS COLUMN

Dancing, dying, crawling, crying
Stories of continuity and change in the Polynesian community of Tikopia by Julian Treadaway

In Defense of Lost Causes
Superstar philosopher Slavoj Zizek writes in defence of lost causes

Children of the Revolution
This is a book that highlights how people caught in between places are denied identity, perspective and intimacy.

The Hangman's Game
Karen King-Aribisala's debut novel, a dark and brooding meditation on the stories we tell and the effect they have on everyday life

Body Shopping: The Economy Fuelled by Flesh and Blood
Donna Dickensen’s fascinating overview of the complex world of medical ethics

Anarchy Alive!
Gordon is well-grounded in both anarchist theory and as an activist in Britain and his own country, Israel. He provides a useful examination of the movement in many ways at the heart of the resistance to contemporary war and globalization.






Voices from the margins:

Multimedia: video, podcasts, and more.