February 2004Issue 364



Bowmboï

If Mali is shaping itself up to become Africa’s musical powerhouse – and it very much looks that way – then take note of Rokia Traoré, the young singer-songwriter whose music is generating enough energy to power a national grid. Bowmboï is her third album, and, featuring such guest stars as singer Ousane Sacko and the Kronos String Quartet, it’s already attracting worldwide attention.

And it’s well deserved. Favouring simple, open instrumentation – the n’goni lute and balofon percussion create a strong but fluid structure – there’s ample space for Traoré to operate in. Singing in her native Bambara language (English and French translations are provided), the immediate effect is of an atmospheric lightness, characteristic of southern Malian music. ‘M’bifo’ is a well-chosen opener, suitably slow in a pace that allows the contemplative emotions to be expressed. And although Traoré can deliver wonderfully on the buzzier numbers, it’s to this thoughtful tempo that she always returns, and nowhere better than on the album’s title track where the Kronos have a discreet presence. They bring a sound reminiscent of their recordings of South African composer Kevin Volans. Traoré is well-travelled and the framing of the music owes a slight debt to the phrasing of French chanson – but this immensely stylish album is nonetheless quite its own thing.

Product information
by Rokia Traoré
Star rating
***
Publisher
Tama Records
Product number
LBLC 2594 CD




also by...
THIS AUTHOR

Folk Songs for the Five Points
Change is at the heart of this.

Segu Blue
Ngoni ba – ‘the big lute’

Volk

Burlesque

Language Tools
Powered by Ultralingua

Join over 10,000 people just like you. Get e-mail updates about new content, issue alerts, contests, and more!

other articles
FROM THIS ISSUE

You get proud by practising
A poem by Laura Hershey, poet and disability activist.

Strong & smart
Teacher Chris Sarra is turning upside-down ideas about what Aboriginal kids can and can’t do.

I was born white
Mark Minchinton undertakes a journey back to his – and his country’s – Aboriginal roots.

Equality Watch: Race & Ethnicity

Betrayal
Two years after the liberation of Afghanistan, are its women really free? Report from Mariam Rawi.

recently
IN THIS COLUMN

Big Blue Ball
Peter Gabriel threw open the doors of his Real World studios in rural England and invited an enormous bunch of musicians – Sinead O’Connor, Marta Sebestyen, Papa Wemba, Guo Yue are just a few of them – to come and jam.

Hear, O Israel: A Prayer Ceremony in Jazz
17-year-old rabbi’s son – and fledgling composer – Joseph Klein lured one of the greatest names in jazz (Herbie Hancock) to join in performing a jazz prayer ceremony.

Umalali
The Garifuna Women’s Project from Central America

Alive
Chinese Mongolian ‘Björk’ steps into Tibet controversy

Maldito Tango
This collection of prowling, lunfardo slang-inflected songs concentrates on an imagined lowlife of Buenos Aires.

Virtual Leisure
The début album from the Israeli-born, London-based performance artist Anat Ben-David, is based on a grim paradox, leisure doesn’t exist – it’s virtual






Voices from the margins:

Multimedia: video, podcasts, and more.