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    <title><![CDATA[New Internationalist - Music]]></title>
    <link>http://www.newint.org/columns/media/music/</link>
    <description><![CDATA[Music]]></description>
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    <dc:rights>Copyright 2012 New Internationalist</dc:rights>
    <dc:publisher>New Internationalist</dc:publisher>
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  <item rdf:about="http://www.newint.org/columns/media/music/2011/07/01/viscera-jenny-hval/">
    <title><![CDATA[Viscera]]></title>
    <link>http://www.newint.org/columns/media/music/2011/07/01/viscera-jenny-hval/</link>
    <description><![CDATA[The new album by Norwegian artist Jenny Hval is astonishing - as much about poetry and story-telling as performance, says <b>Louise Gray</b>. ]]></description>
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    <dc:date>2011-08-30T04:20:58-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/11/01/tchorba/">
    <title><![CDATA[tChorba]]></title>
    <link>http://www.newint.org/columns/media/music/2005/11/01/tchorba/</link>
    <description><![CDATA[tChorba by Les Yeux Noirs. ]]></description>
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    <dc:date>2011-08-19T08:21:53-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/11/01/dimanche-a-bamako/">
    <title><![CDATA[Dimanche à Bamako]]></title>
    <link>http://www.newint.org/columns/media/music/2005/11/01/dimanche-a-bamako/</link>
    <description><![CDATA[Guitarist Amadou Bagayoko and singer Mariam Doumbia have several albums, all endlessly inventive, to their credit. But it’s only now with the release of the marvellous Dimanche à Bamako that the two blind Malian musicians are being given the industry support necessary to propel them towards an audience wider than that provided only by the Francophone world.]]></description>
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    <dc:date>2011-08-17T10:06:49-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/features/2008/08/01/action/">
    <title><![CDATA[Acting in Concert]]></title>
    <link>http://www.newint.org/features/2008/08/01/action/</link>
    <description><![CDATA[Sound advice for action, inspiration and organization.]]></description>
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    <dc:date>2011-08-17T06:56:24-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/10/01/invisible-fields/">
    <title><![CDATA[Invisible Fields]]></title>
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    <description><![CDATA[Invisible Fields by Iarla Ó Lionáird]]></description>
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    <dc:date>2011-08-16T05:26:28-07:00</dc:date>
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    <title><![CDATA[Culture for Pigeon]]></title>
    <link>http://www.newint.org/columns/media/music/2005/10/01/culture-for-pigeon/</link>
    <description><![CDATA[Culture for Pigeon by <strong>Tracy + the Plastics</strong>.]]></description>
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    <dc:date>2011-08-16T05:17:46-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/04/01/the-edukators/">
    <title><![CDATA[The Edukators]]></title>
    <link>http://www.newint.org/columns/media/music/2005/04/01/the-edukators/</link>
    <description><![CDATA[The Edukators by *Hans Weingartner*.]]></description>
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    <dc:date>2011-08-15T05:03:57-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/04/01/kirsty-maccoll/">
    <title><![CDATA[From Croydon to Cuba... An Anthology]]></title>
    <link>http://www.newint.org/columns/media/music/2005/04/01/kirsty-maccoll/</link>
    <description><![CDATA[From Croydon to Cuba - An Anthology by Kirsty MacColl]]></description>
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    <dc:date>2011-08-15T05:00:42-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2010/11/01/rough-guide-to-music-of-afghanistan/">
    <title><![CDATA[The Rough Guide to the Music of Afghanistan]]></title>
    <link>http://www.newint.org/columns/media/music/2010/11/01/rough-guide-to-music-of-afghanistan/</link>
    <description><![CDATA[By Various Artists]]></description>
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    <dc:date>2010-11-30T07:23:34-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2010/11/01/musica-brasileira/">
    <title><![CDATA[Oi! A Nova Musica Brasileira!]]></title>
    <link>http://www.newint.org/columns/media/music/2010/11/01/musica-brasileira/</link>
    <description><![CDATA[By Various Artists]]></description>
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    <dc:date>2010-11-25T02:03:07-07:00</dc:date>
  </item>
  <item rdf:about="http://www.newint.org/columns/media/music/2010/11/01/rara-haiti/">
    <title><![CDATA[Rara in Haiti]]></title>
    <link>http://www.newint.org/columns/media/music/2010/11/01/rara-haiti/</link>
    <description><![CDATA[By Street Music of Haiti]]></description>
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    <dc:date>2010-11-16T01:53:01-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2010/11/01/jamm/">
    <title><![CDATA[Jamm]]></title>
    <link>http://www.newint.org/columns/media/music/2010/11/01/jamm/</link>
    <description><![CDATA[By Cheikh L&ocirc; ]]></description>
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    <dc:date>2010-11-09T04:43:17-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/features/2003/08/01/corporations/">
    <title><![CDATA[Songwriter musicmaker storyteller freak]]></title>
    <link>http://www.newint.org/features/2003/08/01/corporations/</link>
    <description><![CDATA[Folksinger Ani DiFranco is undermining corporate patriarchy. ]]></description>
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    <dc:date>2010-11-04T10:08:28-07:00</dc:date>
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    <title><![CDATA[Culture bandit]]></title>
    <link>http://www.newint.org/features/2003/08/01/zimbabwe/</link>
    <description><![CDATA[Music has always played an important role in Zimbabwe’s popular uprisings. <strong>Adam Ma’anit</strong> meets Thomas Mapfumo – one of the country’s most celebrated music agitators. ]]></description>
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    <dc:date>2010-11-04T10:05:43-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/features/2003/08/01/dissident-music/">
    <title><![CDATA[Music Rebels]]></title>
    <link>http://www.newint.org/features/2003/08/01/dissident-music/</link>
    <description><![CDATA[Political music pioneers Dmitri Shostakovich, Remitti, Víctor Jara, Cui Jian, Bob Marley, Fela Kuti, Mercedes Sosa and Miriam Makeba.]]></description>
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    <dc:date>2010-11-04T10:02:58-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/features/2003/08/01/india/">
    <title><![CDATA[Pariah beats]]></title>
    <link>http://www.newint.org/features/2003/08/01/india/</link>
    <description><![CDATA[<strong>Julian Silverman,</strong> explains how Dalit communities in India use music to subvert the caste system.]]></description>
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    <dc:date>2010-11-04T10:00:13-07:00</dc:date>
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    <title><![CDATA[Sound Facts]]></title>
    <link>http://www.newint.org/features/2003/08/01/the-facts/</link>
    <description><![CDATA[While a select few musicians make millions, the majority are beholden to the record company they signed with and earn a pittance. Steve Albini - an independent record producer famous for his work on Nirvana's In Utero - suggests that many bands who sign with major labels may be earning about a third the salary of an average convenience-store employee. <sup>9</sup>]]></description>
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    <dc:date>2010-11-04T09:57:27-07:00</dc:date>
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    <title><![CDATA[No compromise: a tribute to nina simone]]></title>
    <link>http://www.newint.org/features/2003/08/01/tribute/</link>
    <description><![CDATA[A tribute to <strong>Nina Simone</strong.]]></description>
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    <dc:date>2010-11-04T09:54:42-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/05/01/seven-gates/">
    <title><![CDATA[Seven Gates ]]></title>
    <link>http://www.newint.org/columns/media/music/2005/05/01/seven-gates/</link>
    <description><![CDATA[If there’s a single instrument that typifies the music of the Middle East, it’s the qanun, in all its shimmering, microtonal glory. For centuries, this plucked zither has been at the heart of the Arabic ensemble, and now it’s the vehicle by which virtuoso player Abdullah Chhadeh makes his début album. <i>Seven Gates</i> is nothing less than an evocation of Chhadeh’s childhood home of Damascus, and its success lies in the combination of Chhadeh’s intensely felt music and its openness to nuances and sounds from farther afield.]]></description>
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    <dc:date>2010-11-04T04:07:45-07:00</dc:date>
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  <item rdf:about="http://www.newint.org/columns/media/music/2005/05/01/step-forward/">
    <title><![CDATA[Step Forward ]]></title>
    <link>http://www.newint.org/columns/media/music/2005/05/01/step-forward/</link>
    <description><![CDATA[Delightful though the Buena Vista Social Club still is, even this group of peerless – and elderly – musicians cannot continue to shoulder the responsibility for Cuba’s prodigious music. Step forward, then, Juan de Marcos, composer, bandleader and force behind the Social Club. With 50 musicians and DM Ahora! – Cuba’s first completely independent record company – de Marcos is picking up where Ibrahim Ferrer and the late Ruben Gonzalez left off.]]></description>
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    <dc:date>2010-11-04T04:05:44-07:00</dc:date>
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    <title><![CDATA[The Eternal Road ]]></title>
    <link>http://www.newint.org/columns/media/music/2005/03/01/eternal-road/</link>
    <description><![CDATA[The Eternal Road by Kurt Weill]]></description>
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    <dc:date>2010-11-03T09:56:09-07:00</dc:date>
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    <title><![CDATA[Congotronics]]></title>
    <link>http://www.newint.org/columns/media/music/2005/03/01/congotronics/</link>
    <description><![CDATA[Congotronics by Konono No 1]]></description>
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    <dc:date>2010-11-03T09:54:11-07:00</dc:date>
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    <title><![CDATA[Tierra que Anda]]></title>
    <link>http://www.newint.org/columns/media/music/2005/12/01/tierra-que-anda/</link>
    <description><![CDATA[<b>Tierra que Anda</b>, from the acclaimed Argentinean singer Silvia Irionda, describes, as its title suggests, a ‘walking land’. The phrase refers to a native Indian way of locating humankind at the centre of the land; and for Irionda this means undertaking a musical journey through the breadth of Argentina, from <b>Tierra del Fuego</b> to the borders of Bolivia. Like Argentina itself, Tierra que Anda is a big undertaking.]]></description>
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    <dc:date>2010-11-01T20:30:23-07:00</dc:date>
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    <title><![CDATA[Ceasefire]]></title>
    <link>http://www.newint.org/columns/media/music/2005/12/01/ceasefire/</link>
    <description><![CDATA[For all those jaded with the way that rap’s vibrant promise is so often hijacked by a tired litany of ‘guns and gangsta’ imagery, it’s time to meet Emmanuel Jal and Abdel Gadir Salim. These two Sudanese musicians really know something about war – and want to use music to effect a change for peace. Given its context – <b>Ceasefire</b> comes out of the ruins of the Sudanese civil war, in which Jal, from the Christian south, was a child soldier – this is astonishing.]]></description>
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    <dc:date>2010-11-01T20:10:05-07:00</dc:date>
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    <title><![CDATA[Road to Damascus]]></title>
    <link>http://www.newint.org/columns/media/music/2010/09/01/syriana/</link>
    <description><![CDATA[By Syriana]]></description>
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    <dc:date>2010-10-05T02:35:03-07:00</dc:date>
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