We generally assume music is used for the good – but occasionally this is not so… Plus win a free copy of the No-Nonsense Guide to World Music.
We generally assume music is used for the good – but occasionally this is not so… Plus win a free copy of the No-Nonsense Guide to World Music.
The new album by Norwegian artist Jenny Hval is astonishing - as much about poetry and story-telling as performance, says Louise Gray.
Naked art-piles, wireless guitar shoes, and jackets that turn into tents…
Also: a controversial comedy about farmer suicides (yes, that’s right) from Indian filmmaker Anusha Rizvi, and a special focus on a new generation of exciting and talented
Young Cambodian artists are being mentored as they explore the links between their traditional music and modern works – but they need our help.
Hoe-down fiddles, the rhythmic rattle of spoons and kazoos with some banjos marking time, and you could be – where? A fictive Appalachian town? Some 1930s travelling music show?
Folk music, as Empire and Love shows so well, is a music that has a grounding in both past and present, both populist and political.
The politically engaged group refer to their work as ‘Free tunes from the Occupied Territories’, as Louise Gray discovers.
New to the website this month: a chance to listen to the albums we review.
Assembled under the artistic directorship of Victor Gama, Tsikaya is a superb example of how music is rooted in the society it comes from.
Look beyond Simon Cowell and Madonna for a money-raising charity record with a difference.
An elegant album, stripped bare to its poetry. Bass notes on the oud ground the songs wonderfully and Jubran’s voice is sinuous and expressive, full of colour tones.
Low whistle, hornpipes, kaval (this is a traditional Balkan flute) and practice chanter (and this a part of the Scots bagpiping set-up) are just a few of the instruments employed by Fraser Fifield on Stereocanto.
Mysterious and opulent in its songs, The Sky and the Caspian Sea is a début album that exudes confidence and poise and promises the start of a great future.
Hiphop fans make a virtue of telling it how it is. Well, there’s no-one out there who tells it better than Sister Fa.
It’s a dance record galvanized for the groove; it’s a John Pirozzi film that takes a serious responsibility for the band’s material and details commitment to Cambodian heroes.
‘It’s me. I’m alive.’ Yoko Ono, startling and challenging as ever.
An album with a range of references stretching from a lazy Delta blues to the yearnings of Urdu devotionals. By Najma Akhtar and Gary Lucas.
Guitars blast, synthesizers go mad and a group of gospel harmonizers strain for the heavens as sitar strings twang. By Cornershop
The name of Margaret Thatcher is humming loudly over the broadband connections these days. Confused? Let Louise Gray and Chumbawamba explain.
CDs that didn’t quite make a full review, but are still worthy of a mention.
Starting where founding father of afrobeat Fela Kuti left off, this album features energetic tracks of sweaty inventiveness.
For all its ancient antecedents, Siwan is a very modern album and a joyous meditation for that.
An odd title, given the political geography of Israel/Palestine, this album projects a vision of multicultural music that seems to have little space for Palestinian musicians.
An album that is very much the sound of a modern-day freedom fighter.
'We'll only stop playing when we have the last despot hanging from our guitar strings.' Louise Gray on a brave artist who's staying put in Zim and making musical 'food for freedom fighters'.
Accompanied by a wide range of sound for this latest outing – jazzy horns, strings and the kamele ngoni (harp) played by trusty sidekick Benego Diakite – Seya is an album that simply flows.
Listeners familiar with the harder sounds of Yothu Yindi are in for a surprise. The 12 songs on Gurrumul display an altogether softer side of their author.
Subtitled ‘18 Songs for Music Lovers’, Easy Come, Easy Go is a double album containing a wide choice of songs: from Brian Eno’s ‘How Many Worlds’ to Dolly Parton’s ‘Down from Dover’
An album loaded with the instrumentation - fiddle, steel guitar, banjo and mandolin - of American roots music.
Sissoko’s warm-toned vocals and fluid kora work, counterpointed by Stone’s banjo-picking make for a wonderfully expansive sound on Africa to Appalachia
Funked-up Hebrew rap, full of asides about booze, girls and – this is one you wouldn’t find with Enimem – gefilter fish.
Pashm’s band – a judicious mixture of Greek, Jewish and Balkan musicians – belt along with brass, baglamas, woodwind and lyres at their disposal.
Mother-Earth! Father-Sky! by Huun-Huur-Tu featuring Sainkho
Made in tandem with the Albanian accordionist / composer Dasho Kurti, the 11 songs on Deserted Villages offer a broad palate, and not all of it mournful.
Certainly some of these songs may have once been heard over fields and cradles rather than concert halls, but their translation from private to public music is a beautiful one.
The second album by David Byrne and Brian Eno
Peter Gabriel threw open the doors of his Real World studios in rural England and invited an enormous bunch of musicians – Sinead O’Connor, Marta Sebestyen, Papa Wemba, Guo Yue are just a few of them – to come and jam.
17-year-old rabbi’s son – and fledgling composer – Joseph Klein lured one of the greatest names in jazz (Herbie Hancock) to join in performing a jazz prayer ceremony.
This collection of prowling, lunfardo slang-inflected songs concentrates on an imagined lowlife of Buenos Aires.
The début album from the Israeli-born, London-based performance artist Anat Ben-David, is based on a grim paradox, leisure doesn’t exist – it’s virtual
Bragg tempers the unfashionable humanity of his songs with a sad acknowledgement of current realities.
For anyone interested in the past, present and future of this uniquely Portuguese melancholy, the Mariza Box is a handsome object containing Mariza’s three solo albums.
A yowl of fury against the Pop Idol-type mediocrity that seems so often to fuel cultural commerce these days.
Out of Britain’s blustery Northumbria comes Rachel Unthank and her Winterset trio.
History of a city shaped by immigrant memory and musical culture
Queer Noises: From the Closet to the Charts 1961-1978 by various artists
Fonotone Records, Frederick, Maryland by various
My Life in the Bush of Ghosts by Brian Eno & David Byrne
Songs of the Volcano by Papua New Guinea Stringbands with Bob Brozman
You’ve Stolen My Heart by The Kronos Quartet and Asha Bhosle.
In the Heart of the Moon by Ali Farka Touré and Toumani Diabaté
Nakedness, for dub poet Benjamin Zephaniah, is something akin to a state of absolute truth.
As an androgynous performance artist who sprang out of New York’s club scene, Antony (he lost the surname a long time ago) may seem an unlikely pretender to the tones of Nina Simone, the British-born singer is making an excellent go of it.
From Croydon to Cuba - An Anthology by Kirsty MacColl
List of Lights and Buoys by Susanna and the Magical Orchestra
Defixiones, Will and Testament, Orders from the Dead by Diamanda Galas
Live at Town Hall by Laurie Anderson
Two young Indian children have been taken into care in Norway because their mother fed them with her fingers. Mari Marcel Thekaekara is appalled.
India's plans to buy up land in Africa are shameful, says Mari Marcel Thekaekara.
By cutting the fuel subsidy the Nigerian government has snatched away the main benefit to the people from the country's oil wealth, says Sokari Ekine.
With a ring of prayer planned to protest the eviction of the Occupy camp at St Paul’s, the Christian Left is coming of age, says Symon Hill.
Add your name to those urging the UK government to support Ecuador's initiative to keep the oil in the ground.