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| NEW INTERNATIONALIST 213 | ||||||||||||||||||||||||
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Ideas, ideology
and the future The other wall Electron orbits
dandelion The philanthropist The
Little Red Province Bargain! Free
time sale!
Decent demons Fred Z, this is your
dream! |
THIS MONTH'S THEME | |||||||||||||||||||||||
WHAT NEXT? |
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| FROM THIS MONTH'S EDITOR | ||||||||||||||||||||||||
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I'd just been to a conference on 'Utopia' in London to mark the centenary of the publication of William Morris' News from Nowhere. We dreamt our way through workshops on the history of dreaming and convened for the final plenary. It began with a long debate about whether one of the speakers, Tony Benn, should put out the pipe he was smoking (he won the argument, I think, but he put out his pipe anyway). It ended with a minstrel singing rousing songs from the platform while from the back of the hall came shouts from the caretaker: 'You're way past your time! I want to get home for my tea! Everybody out!' Wherever I turned I came up against what you might call Anglo-Saxon 'Dirty Realism', the same anti-intellectual scorn for ideas. What are they? Where do they come from'? Do they matter? Hard to say, if you haven't got any. And, that Tuesday afternoon, I hadn't. I decided to stay calm, to employ what we members of the amateur thinking trade call the 'Don't Panic Tactic'. What I needed was someone sufficiently unlike me to take the blame if my magazine went wrong, but sufficiently like me for me to take the credit if it went right. I found Fred Z. Or rather, he found me. He sprang out of my imagination - offering me himself, a day in his mind, as a device for looking at ideas and ideology. Before I could stop him he'd set about breaking all the few rules we have for this magazine. He put the end of the world at the beginning, grabbed the 'Keynote' for himself and put it at the end, and placed the future firmly in the middle. He went to a remote Greek island to have his portrait painted by Korky Paul. He got photographs taken of NI staff members holding Tarot cards against pieces of garden furniture. He had designers cutting up precious jewels of text as if they were bits of spaghetti. He showed flagrant disregard for my budget. And he had me tied to a fax machine for days on end (will the Mayor of Lauchhammer please plug in his machine at his earliest convenience?!). Never was editorial control more comprehensively lost. And now he's had the nerve to ask me to give you a message. He won't leave me alone even here, the last outpost of my editorial prerogative. Oh well, in for a penny ... He says, would you please try to read his magazine from start to finish, in that order, you know, beginning at the beginning and ending at the end, that sort of thing. I tell him you never do that, He says you might enjoy it more if you did. You see, he has this quaint notion that it's a story: that it shows how her/history goes on, just like life, whatever anyone might try to tell us to the contrary about it coming to an end. Well, I'm afraid that in one sense, Fred, it does. I've now got to take my leave of you. I have my own life to lead too, you know! I shall miss you, and Beth, Alice, Henry, all the other shadowy figures in your life who have been my constant companions for the past few months. You dug me out of a bit of a hole. It's been great fun. |
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Letters
COVER AND FRED
CARTOONS BY Korky Paul |
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David Ransom
for the New Internationalist Co-operative |
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It
was a Tuesday afternoon last summer. I was a nervous wreck. By Wednesday afternoon
I'd have to present my proposal for an issue of the NI on ideology.
That meant ideas, and I didn't have any. Not a single one.
