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THIS
MONTH'S
THEME

The powerful unplugged
It’s not a matter of how they intend to police the rest of us, argues David Ransom, but how to get the brutes off our backs.

The military-
industrial complex

If Napoleon had ever got his hands on the modern machinery of warfare, Sigmund Freud might have had a few nightmares. Brick pictures the delusions of grandeur.

FROM THIS MONTH'S EDITOR

David RansomWhile this magazine was being finished, the TV news was dominated by pictures from Palestine. Among them was a terrified small boy being shot to pieces.

Somehow you just know it. Whenever helicopter gunships, tanks and high-velocity rifles are trained on children, violent conflict is more likely to be prolonged. Modern weaponry confers a false sense of omnipotence on those who wield it – rather like the toy soldier I once called ‘Me’ and imagined could balance the Moon on its little finger, though its head was fixed to its body with a match stick.

So how about a different model altogether? You’ll meet a new, self-improving version of a global police officer on your way through this magazine. Globocop finds the humility to learn how to stop relying on brute force, drop the dead weight of lethal weaponry, bring inanimate corporations to book and serve the majority of the world’s people instead. By the end the creature begins to look, well, almost human.

One of the frustrations of working on this magazine is that we are rarely able to comment on developing events as they happen. This can be very frustrating, especially when small boys are being shot with high-velocity rifles in the here-and-now. Last September Katharine Ainger posted reports on our website (www.newint.org) direct from the World Bank/IMF protest in Prague. They were quite unlike the misleading yarns spun by most of the mass media at the time. Perhaps we should do this more often. Let us know what you think.

The editor's signature.

David Ransom
for the New Internationalist Co-operative
davidr@newint.org

Why I reject nuclear deterrence
Former Navy commander Robert Green found out the hard way that the big bad bomb is a lethal waste of space.

A tawdry trade
There’s not much to be said for the arms traffickers, so Gideon Burrows tells us what we still have to hold against them.

BRUTE FORCE – THE FACTS

Doing law differently
People’s resistance to corporate rule has created a fresh sense of where justice lies. Jayan Nayar traces its grassroots.

Bull by the horns
Costa Ricans – who don’t kill the bull but kiss it between the horns – have not had a standing army for more than 50 years. Andrew Bounds can’t find a good reason why they would ever want it back.

Power pax
A short history of megalomania.

This tattered chrysalis
The people of Chechnya have been waiting for peacekeepers all their lives. Olivia Ward fears nothing will ever come from the Security Council of the United Nations.

Worth knowing...
About the UN, good books and action groups.

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FEATURES

 

 

 

 

Letters
Out South bias; Palestinian crisis; Africa: the hopeless continent?
PLUS A letter of grief from Colombia by Jenny James.

Factfile – Sports shoes
Wearing thin.

View from the SouthAma Ata Aidoo contemplates the mess and the madness of diamonds.

Currents
Big Issue goes South; Serbia’s seriously strange propaganda; Sapphire frenzy in Madagascar; Legacy of a dog called Lucas.
PLUS: Polyp’s Big Bad World

Worldbeaters
Sun Myung Moon: fading cult star twinkles on.

Ether Street
Random secrets for a captive audience.
PLUS NI Crossword

Mixed media
BOOKS:
A Mouthful of Glass by Henk Van Woerden; The Fat Lady Sings by Jacqueline Roy; Business As Unusual by Anita Roddick; Pip Pip: A Sideways Look at Time by Jay Griffiths.
MUSIC: Khevrisa’s European Klezmer Music plus The Rough Guide to Klezmer;
FILM/VIDEO: Wu Tian Ming’s King of Masks.
PLUS SHARP FOCUS: on Okey Ndibe and Ike Oguine
PLUS Webwatch


Photo essay – Water World
A snapshot of Liquid Earth, taken from 20,000 entries to a UN competition.

Country Profile – Turkey

 

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Front cover & all Globocops illustrations by : MICHAEL TERRY
Magazine designed by: ALAN HUGHES
On-line mag maintained by: SIMON LOFFLER