Click here to subscribe to the print edition.New Internationalist 341December 2001Click here to search the mega index.

Photo: GMB Akash - studio@drik.net
Click above to enlarge

Southern Exposure: Highlighting the work of photographers from the Majority World

GMB Akash, studio@drik.net
by arrangement with Drik Picture Library Ltd, www.drik.net

The photograph was taken in Fatulla, Bangladesh, in February 2001. The mother and daughter were breaking bricks on either side of the barbed wire. The daughter was looking after the son. Taking a break from work during the afternoon, the mother was kissing her tiny son through the wire. They talk of crèches and care for children. They say child labour is bad. The mother and daughter together earn just over two US dollars for a day's work. They will probably never be allowed to enter the buildings they are helping to build. The government woos investors with the promise of cheap labour, while NGOs make declarations at international summits. What do all these declarations mean to this woman and her children? Whenever I take a photograph, I ask myself, Why do I want to take this? I want to photograph things that will work towards bringing about change, to help people understand the disparity between people. I am an assistant photographer working at Drik, and a graduation student in Pathshala, the South Asian Insitute of Photography.

GMB Akash - studio@drik.net
By arrangement with Drik Picture Library Ltd, www.drik.net


Previous page.
Choose another issue of NI.
Go to the contents page.
Go to the NI home page.
Next page.

Subscribe to NI now!