Iran

March 2007 - Issue 398

March 2007
Issue No. 398
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The view from Iran
Chris Brazier argues for more understanding of Iran – and less confrontation.

Signed with an X
Women’s rights campaigner Noushin Ahmadi Khorasani reflects on a day spent knocking on doors.

Iran - the facts
Human development, politics, birth rates, oil struggles, human rights.

The Mirage
What do people in poorer districts think of Ahmadinejad? Ali Moazzami finds out.

Iran - a history
From Cyrus the Great, Omar Khayyam and the Shahs to Ayatollah Khomeini and Mahmoud Ahmadinejad.

The fourth generation
Iran is young, vibrant and diverse, despite the repression, as Nasrin Alavi explains.

Action/Information
Action and information on Iran

News, views, and & voices

Currents

Write vs Wrong
Letter-writing campaign launched at Burma's leaders

Can't see the wood for the factories
Uganda ready to destroy some of its last remaining rainforests

Ban Blair's bomb
News of the year-long blockade of Britain’s nuclear base at Faslane

Olympic whitewash
China grants temporary freedom to foreign press, while domestic journalists remain jailed

Entire police force disarmed
Mexico's President Felipe Calderón sends in troops to disarm corrupt police force.

Grim future
The UN gives green light to Ethiopia's invasion of Somalia

Seriously

Mo Better Blues
True tales of a mixed-up world

Southern Exposure

Julio Etchart
A child in Bulawayo, Zimbabwe, as seen by Chilean photographer Julio Etchart, who has documented the toys children play with the world over.

View from

Visa quid pro quo
The US makes it difficult for Bolivians to gain visas, so why shouldn’t Bolivian President Evo Morales make it equally hard for US visitors? Jim Shultz explores the visa quid pro quo.

Mixed Media

FILM: Bamako
Bamako by Abderrahmane Sissako

MUSIC: Holy Heathens and the Old Green Man
Holy Heathens and the Old Green Man by Waterson: Carthy

MUSIC: Adjágas
Adjágas by Adjágas

FILM: The Cave of the Yellow Dog
DVD: The Cave of the Yellow Dog directed by Byambusuren Davaa.

BOOKS: The Uncomfortable Dead
The Uncomfortable Dead by Subcomandante Marcos and Paco Ignacio Taibo II

BOOKS: Dead Horsemeat
Dead Horsemeat by Dominique Manotti

BOOKS: Funny Weather
Funny Weather by Kate Evans

Country Profile

Tajikistan
Although Tajikistan is the heir to an ancient Persian and Turkic cultural legacy, the modern state dates back to 1929 and Stalin’s creation of the Tajik Soviet Socialist Republic.

Letter from...

The breadfruit tree
The breadfruit tree outside Lindsey Collen’s house needs pruning. But how to persuade Fareed to undertake the work?

Making Waves

Interview with Sheela Patel
Interview with Indian homeless campaigner Sheela Patel.

Big Bad World

The latest cartoon by Polyp
Old Gory, by Polyp.


 

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from
THIS MONTH'S EDITOR

This issue has been conceived from the start as one that would give Iranians the chance to communicate directly with our mainly Western readership. Iran is routinely demonized in the West, and its people are lost behind the stereotype of the mad mullah or the veiled woman. This magazine aims, as its front cover suggests, to fill in the human detail and cultural diversity that the stereotype occludes.

Not that fulfilling the promise of an issue written and visualized by Iranians has been an easy process. We anticipated an enthusiastic response to our invitation to journalists, photographers and artists all over the country to make their pitch to us so that we could sift through the responses and decide which avenues to pursue.

The anticipated flood, however, turned out to be a trickle – just one journalist answered the initial call. There is real fear abroad in Iran at present – an atmosphere of clampdown as hardliners try to roll back the relative freedoms enjoyed during the ‘Tehran Spring’ at the turn of the century. When Iranian journalists arriving back from an inoffensive international award ceremony were detained and given a severe warning about their future activity, I began to understand why an invitation from a Western magazine editor might seem like a poisoned chalice.

Prioritizing Iranian photographers as well as writers has at times seemed like a labour of Sisyphus – but the end results have been rewarding. I have, however, needed a great deal of help to make it happen. Without making this seem too much like an Oscar-winner’s speech, I’d like to thank Nasrin Alavi, without whose advice and guidance this issue would genuinely not have been possible.

Chris Brazier
for the New Internationalist Co-operative
chrisb@newint.org






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